Since its opening, the Cort Theater has presented many productions with LGBT associations. Despite the Wales Padlock Law (1927), which forbade the depiction of “sex perversion” on stage, and which remained on the books until 1967, the Cort had one early play with a gay character, even if rather subtle. Laurence Olivier played the spoiled ward of a gay foster-father in Mordaunt Shairp’s The Green Bay Tree (1933-34), also with Jill Esmond.
The biggest LGBT-associated hit was the theater’s first play – Peg O’ My Heart (1912-14), with Laurette Taylor, which was also revived in 1921. Modest hits here were Under Cover (1914-15) by Roi Cooper Megrue; The Swan (1923-24), with Eva Le Gallienne; Lady Windermere’s Fan (revival, 1946-47) by Oscar Wilde, with scenic, costume and lighting design by Cecil Beaton and with Beaton; Ma Rainey’s Black Bottom (1984-85) about blues singer Ma Rainey; and The Heiress (revival, 1995), with Cherry Jones (Best Actress in a Play Tony Award).
Plays by LGBT playwrights at the Cort included Beau Brummell (revival, 1916) by Clyde Fitch; Mother Carey’s Chickens (1917) by Rachel Crothers; Behold the Bridegroom (1927-28) and Maggie the Magnificent (1929) by George Kelly, the former with Judith Anderson; Most of the Game (1935) and Make Way for Lucia (1948-49) by John Van Druten, the latter based on the novel by E.F. Benson, with Cyril Ritchard; The Happy Journey to Trenton and Camden and The Respectful Prostitute (1948) by Thornton Wilder; The Hostage (1960) by Brendan Behan; and Sex and Longing (1996) by Christopher Durang.
Productions with LGBT designers included Suds in Your Eye (1944), with costume design by Kermit Love; In Any Language (1952),with scenic and costume design by Raoul Pene Du Bois; Advise and Consent (1960-61), with scenic design by Rouben Ter-Arutunian; The Riot Act (1963), with scenic design by William Ritman; The Jockey Club Stakes (1973), with costume design by Albert Wolsky; King Richard III (revival, 1979), with scenic design by Tony Straiges; and An American Daughter (1997), with scenic design by John Lee Beatty.
LGBT performers here included George Cukor in A Regular Feller (1919); Edna May Oliver in Her Salary Man (1921); Blythe Daly in A Most Immoral Lady (1928-29) and Bridal Wise (1932); Spring Byington in Ladies of Creation (1931); Katharine Cornell in Antigone (1946) and Candida (revival, 1946), the latter also with Marlon Brando; Will Geer in On Whitman Avenue (1946); Katharine Hepburn in As You Like It (revival, 1950); John Dall in Champagne Complex (1955); Anthony Perkins in Harold (1962); Judith Anderson in Medea (revival, 1982); Brian Bedford and Victor Garber in Two Shakespearean Actors (1992); and Edward Hibbert in The Green Bird (2000). Marlene (1999) was about the legendary Marlene Dietrich.