The Angel of the Waters statue atop the Bethesda Fountain is the masterpiece of sculptor Emma Stebbins. It was the earliest public artwork by a woman in New York City and the only sculpture sanctioned as part of the early design and construction phase of Central Park.
The iconic statue was designed in the 1860s while Stebbins was living in Rome with her lover Charlotte Cushman, the leading actress of the American and British stages. Stebbins was but one of a number of lesbian artists, known as “female jolly bachelors,” that formed a circle around Cushman. The group, which also included novelist-journalist Matilda Hayes and sculptors Harriet Hosmer and Edmonia Lewis, were among the first generation of women to forge careers in the arts and to form same-sex relationships.
Stebbins’ sculptural group depicts the biblical “Angel of Bethesda” resting on a base surrounded by four cherubs representing “health,” “purity,” “peace,” and “temperance.” This theme was considered a particularly appropriate symbol of the healthful benefits provided by the Croton Aqueduct water then stored in Central Park reservoirs.
Playwright Tony Kushner understood the symbolism of the curative powers of the water from the biblical fountain of Bethesda and, appropriately, set the final scene of the Perestroika section of the AIDS-themed play Angels in America (1993) at this location in Central Park.