Literary icon and civil rights activist James Baldwin owned this Upper West Side remodeled rowhouse from 1965 until his death in 1987, using it as his residence when in New York City.

Although he did not like to be labeled in terms of sexuality, politics, religion, and so on, Baldwin wrote several novels that featured gay and bisexual characters and spoke openly about same-sex relationships.

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Credit: Christopher D. Brazee/NYC LGBT Historic Sites Project, 2016.

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Contact sheet of James Baldwin in the rear yard of his West 71st Street apartment, June 1, 1972. Photos by Jack Manning/The New York Times.


Through his writing, televised appearances, and public speaking here and abroad, author and activist James Baldwin (1924-1987) became a critical voice for the civil rights movement and brought attention to racial issues in the United States. He took part in the 1963 March on Washington for Jobs and Freedom and the 1965 Selma-to-Montgomery voting rights march, for example, and wrote about the work of Dr. Martin Luther King, Jr., the sit-ins, and other civil rights events taking place in the South.

Baldwin’s unease with racism in this country led him to live most of his adult life as a self-described “transatlantic commuter.” While he lived primarily in France, he often featured New York, including his native Harlem, in his work and resided in a number of apartments here. From 1958 to 1961, for example, he lived at 81 Horatio Street in Greenwich Village. In 1965, at the height of his fame, he bought a remodeled rowhouse at 137 West 71st Street on the Upper West Side, which he owned until his death. When he was in the city, he lived in the rear, ground-floor apartment there. His mother and sister also had apartments on the upper floors.

As the first major black writer since the Harlem Renaissance to speak and write about same-sex relationships, Baldwin inspired a new generation of LGBT African-American writers in the 1950s and ‘60s. Beginning with his second novel, the groundbreaking Giovanni’s Room (1956), Baldwin “pioneered fictional accounts of homosexuality and bisexuality in his fiction,” according to biographer Douglas Field. Another then-taboo subject, interracial relationships, also featured in his writing. (Giovanni’s Room was dedicated to the Swiss painter Lucien Happersberger, whom Baldwin considered “the one true love story of my life.”). Gay or bisexual characters also featured in his novels Another Country (1962), which he worked on while living on Horatio Street, Tell Me How Long the Train’s Been Gone (1968), and Just Above My Head (1979). The latter two novels were published during his association with West 71st Street.

In a 1987 interview, drawing on his experience as both a black man and a gay man, he addressed ongoing homophobia and noted that “People’s attitudes don’t change because the law changes.” He continued:

“A man can fall in love with a man; a woman can fall in love with a woman. There’s nothing anybody can do about it. It’s not in the province of the law. It has nothing to do with the church. And if you lie about that, you lie about everything. And no one has a right to try to tell another human being whom he or she can or should love.”
James Baldwin, 1987

On June 5, 1982, Baldwin spoke on the topic, “Race, Racism, and the Gay Community” at a meeting of the New York chapter of Black and White Men Together (known since 1985 as Men of All Colors Together) held at Congregation Beit Simchat Torah, a gay and lesbian synagogue at Westbeth. While he resisted the idea of being called gay, he was open about the fact that he had relationships with men; he first wrote about his own sexuality in his 1985 essay, “Here Be Dragons,” which was also published as “Freaks and the American Ideal of Manhood.”

Baldwin died in France two years later, but his funeral was held at the Cathedral of St. John the Divine in Morningside Heights, Manhattan.

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